There's a big mix here, but I suppose the main theme is color! A lot of these panels were made a long time before I assembled them into a finished card. I find it's nice to have a store of beautiful background panels waiting for the perfect occasion!
--LJE
Sunday, November 20, 2016
DIY Quilt Card
I used followed this post by the Frugal Crafter to make this card. I used dies instead of a paper piercer.
--LJE
A Few More Cards with Interrupted Stamping
I made these much closer to the date of this post, but had not assembled them into finished cards.
--LJE
--LJE
"Waste Not: The Art of Medieval Recycling" at the Walters Art Museum
Well, Readers, this post would have worked way better if I had managed to post it before the exhibition I discuss below had ended. I am still posting it because the exhibition was phenomenal, and because the links to the images I mention below make the whole endeavor still worthwhile. Right now the Walters Art Museum has an amazing medieval show, A Feast for the Senses: Art and Experience in Medieval Europe, so if you need your medieval fix, I suggest a visit before the show closes on Sunday, January 8, 2017.
The show this post is about: Waste Not: The Art of Medieval Recycling, Saturday, June 25, 2016–Sunday, September 18, 2016.
This show was amazing. Immediately when you entered the show, you were up close and personal with a sculpted colossal head with no glass surrounding it. This invited immediate engagement with the objects in the show.
One of my favorite pieces from the show can be seen here: Two Leaves from the Mirror of Human Salvation, W.149, fols. 1v-2r.
After visiting the show, I continued my Walters tradition. Every time I go to the museum alone, I sit in front of the Crucifix with Mourning Virgin and St. John the Evangelist, 37.710 and quietly contemplate and discover new details I have never seen before.
--LJE
The show this post is about: Waste Not: The Art of Medieval Recycling, Saturday, June 25, 2016–Sunday, September 18, 2016.
This show was amazing. Immediately when you entered the show, you were up close and personal with a sculpted colossal head with no glass surrounding it. This invited immediate engagement with the objects in the show.
The entire show, along with the interpretative text, really elicited a feel for the medieval world in a way few museum exhibitions do--an immediacy and a connection across time was palpable.
One of my favorite pieces from the show can be seen here: Two Leaves from the Mirror of Human Salvation, W.149, fols. 1v-2r.
After visiting the show, I continued my Walters tradition. Every time I go to the museum alone, I sit in front of the Crucifix with Mourning Virgin and St. John the Evangelist, 37.710 and quietly contemplate and discover new details I have never seen before.
--LJE
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